Archive for the 'Opinions' Category
So, Governor Rick Scott and former Governor (turned wannabe Governor) Charlie Crist are both skeezy. Though, Scott takes things a step further as a bonafide skeezy criminal. Our race for Governor here in Florida isn’t about voting in the best man for the job, it’s about choosing the fellow who is less awful. Sadly, that man is Charlie Crist. It’s a sad, sad race. At least now, it’s been injected with a good dose of absurdity…2 comments
Okay, maybe I possibly overstated things when I kind of pretty much guaranteed a post of substance for today. Last night, I had some ideas that felt solid, but now that I’m here… They’re just not ready, yet. Still, I can prattle.
I am excited about the week. World of Warcraft gets a pretty big update Tuesday, which I shouldn’t admit to being excited about, and yet… I am, a little.
I do have genuine excitement for Thursday, Apple’s having a press event. I won’t speculate on the bulk of the show, but I’m just about certain we’ll see the release of Mac OS X Yosemite… I HOPE. I’m stupidly jazzed about Yosemite, it’s a huge visual overhaul of OS X. All the icons are going from flashy 3D, to a softer, hand-sketched look. Windows and menus will be softly transparent rather than opaque. It’ll basically match iOS 8, which makes sense. iOS and OS X are moving toward seamless integration. With Yosemite, they’re really damn close to perfect. Continuity of design is a crucial part of the user experience. Unlike Microsoft, Apple isn’t just jamming the same OS onto their mobile and desktop platforms (a TOTALLY STUPID idea), they’re creating elegant ties between operating systems that are unique to their respective platforms. The look of icons and menus is one of the elegant ties. I love the look of iOS 8, I’m so ready for OS X to make the shift. I think it’s a sophisticated style that’s MUCH easier on the eye. I mean, bright and 3D is definitely visually arresting, but after six or seven hours straight (or too often, eighteen), every day, it can sometimes get visually… hurty. I’m looking forward to a UI (user-interface) that’s elegant yet subdued, as opposed to the New Windows, which is subdued yet shabby.
Maybe prattle can have substance. A little? Maybe?1 comment
So, last night I went to see Gone Girl, and I just wasn’t enthused. I couldn’t have been more wrong, it was SPECTACULAR. I should have remembered, there are a very few directors who just don’t do bad movies. It’s a very short list, but nevertheless, the list does exist. David Fincher is absolutely toward the top of that list. I should have just seen Gone Girl… David Fincher, and been totally enthused. It was amazing.1 comment
I think politicians who push strict interpretation of the Constitution are the ones who understand it the least.4 comments
In 1892 Lisbeth “Lizzie” Borden allegedly picked up an axe and hacked up her father and step-mother. Her trial was an event, a media circus, one of America’s first. She spent some time in jail, but was ultimately acquitted of both charges. The motive was supposed to be money, she did inherit a large sum after the dust settled, but even now, nobody really knows what exactly happened.
Lizzie always wanted to be a member of high-society, she bought a giant house on a hill, named it Maplecroft, she tried to host lavish parties, tried to be accepted. Try as she did, the people of Fall River, Massachusetts, never grew to accept Lizzie, and she spent most of the rest of her life in seclusion, caring for her medically frail sister, Emma. Sadly, Lizzie would eventually die alone, abandoned by Emma after an argument of unknown cause. This is the story that is part of America’s grimmer history, taught in class-rooms to this day.
The tale of Lizzie Borden has so many unknowns, leaves so many unanswered questions. Maplecroft: The Borden Dispatches by Cherie Priest is the first novel in a series that aims to fill in these blanks, to tell the whole of the life of Lisbeth Andrew Borden.
Maplecroft might be best described as a spectacular work of historical horror fiction; historical people, places, given a heavy dose of horror. Cherie Priest is one of today’s best historical fantasy/horror fiction writers, she so deftly blends fiction with American history that the fiction tends to feel more real than it otherwise might. Maplecroft could be her best work.
The story of Maplecroft is told through journal entries, letters and news clippings, all popular forms of communication in the 1800s. Much of what we know about that period of American history is through found documents, people put their thoughts to paper, they kept journals, diaries, sat down to write correspondence. Unlike today’s glut of shaky-cam “video diary” films, Maplecroft only feels more authentic through the use of this device. The story never seems forced or cliche.
We learn that strange things are happening in Fall River, that the Borden family spent many weeks wracked with illness before Lizzie took up her axe. We learn that at its worst, aside from nausea, vomiting, a strange glazing of the eyes, a sort of madness occurs, violent madness that touched the Borden parents. When Lizzie took up her axe, it was an act of preservation, not just for herself, but for Emma, her defenseless elder sister. This illness is confirmed in the journal of town physician, Doctor Owen Seabury, who attempted to treat the Borden’s, but to no avail. He knew something was very wrong, something he’d never seen. After the murders, he was Lizzie’s strongest defender, not because he felt she was necessarily innocent, but because of an incident during which he witnessed the feral transformation in Lizzie’s step-mother. He felt something unnatural, even dangerous, especially dangerous. That was in 1892. In 1894, the Borden sisters have taken residence at Maplecroft, with Doctor Seabury as their only regular visitor in the role of Emma’s personal physician. With this ominous beginning, the stage is set for the horror to come.
The Problem, as it is often called, re-surfaces and begins to spread, Doctor Seabury sees symptoms around town. Strange shark-like creatures attack Maplecroft, Lizzie grows quite adept at killing. Lizzie and Emma spend their days trying to understand the creatures, The Problem, hopping desperately to stop it before it consumes them, before Fall River is overrun, before it spreads across the entire country, maybe the entire world. Lzzzie pours over strange arcane books, trying to find facts buried in lore and myth. Emma tackles The Problem through pure science, studying nature, marine biology. Both Lizzie and Emma have reason to believe that the sea is the source of the taint that’s infecting Fall River. Doctor Owen Seabury struggles to maintain his sanity, his years of medical training feeling utterly useless. Each character’s writing feels more desperate with each passing day, the journal and diary entries show their stress, their fear, with such clarity. Reading the book is often an intimate experience, as if reading the private thoughts of actual people, not fictional characters.
I haven’t read everything Cherie Priest has ever written, but I’ve read most of it. In terms of pure craft, Maplecroft is probably her best work so far, her prose often gorgeous. Whenever I read, I love highlighting beautiful passages, writing margin notes. While Priest’s stories are always well-written and absolutely a blast to read, I’ve never highlighted any of her writing until Maplecroft. There’s one really outstanding passage that has stuck with me ever since I read it…
“We crawled primordial from the water, our grand-ancestors times a million generations; we escaped the tides, the sharks, and the leviathans of the deep, only to find ourselves on land—where we became the things we’d sought to escape, and we invented gods to blame. Not gods of the ocean, for we’d been to the ocean, and seen that the water was empty of the divine. Not gods of the earth, for we have walked upon the dirt, and we are alone here.
So we install our gods in the sky, because we haven’t yet eliminated the firmament as a possibility.
Next, I suppose, we’ll send them into space—where I expect they will live a very long time indeed, for it shall take us another million generations of descendants to reach them, and learn that they are projections of light and story, cast into the heavens by us alone. And we will be alone again (unless by then, we discover some more distant place in which to hide our image).
Over and over again, we lift God out of our reach. Over and over, push Him beyond our grasp, yet still we stretch out our fingers and seek to touch Him.
But find nothing.”
That passage has such lush imagery, captures the writing of a Christian woman struggling with her faith. Crisis of faith is a common theme from character to character throughout the novel, an interesting theme for a time in history when people were supposed to be God-fearing church-goers, who could never voice their doubts aloud. One’s private diary or journal was the only safe place to put such thoughts. The passage also captures the writing of a strong-willed woman of intelligence, again, at a time when women were not on equal footing with men in matters of intellect, of opinion.
The Borden women are both shown as strong women living against the grain, fierce protectors of a town full of people who failed to see Lizzie hanged and now are content to just quietly hate her, and Emma by association. Maplecroft is a novel about strong women (one in particular not mentioned in this review) fighting against evil that’s deep and dark as the sea. They fight bravely, vehemently, but not without fear, not without mistakes, not without human failings. It’s not a story of super heroes slaughtering monsters, it’s a story regular people just trying to hang on against malevolence beyond human understanding. They fight and not without losses, grave losses.
If you’re looking for a beautifully written story of horror, genuine stuff of nightmare, Maplecroft is the story for you. Cherie Priest did her homework on Lizzie Borden and the time in which she lived. Combine such research with her vivid imagination, and she delivers a truly unique macabre masterpiece of fully realized characters given weight through historical accuracy.
For fans of the weird, Maplecroft is a must read. I can’t wait for the next of the Borden Dispatches.2 comments
So, today I did something I’ve never done before… I read an entire book in one day. I’ve stayed up a few nights to read a few books, but I’ve never read an entire book from early morning to early evening.
I’ve been a fan of Jonathan Carroll for a long time. Way back in 2006ish he was kind enough to send me a copy of one his books, White Apples, when ebooks were kind of, not really, but maybe, a thing. Of the not a bunch of ebooks available, White Apples wasn’t among them, I’m not one to wait around for an industry to catch up with my desires, so I asked and he sent. A few writers have done the same for me over the years, I’m always a little surprised and a lot grateful.
Anyway, this morning I was looking for something just to start reading after finishing Maplecroft (which was spectacular, review forthcoming) last night, and I decided on Kissing the Beehive by said Jonathan Carroll. I went a few pages and I just didn’t stop, I read until it was done. I think part of it was because for Carroll, it was such a strange book, strange in that it had absolutely no elements of magic realism. His books start out real enough, then all of a sudden the main character’s dog starts talking to a ghost, yet the talking dog and some ghost don’t make the story feel any less “real.” He writes with such confidence, the introduction of the weird is so matter-of-fact that you just accept, oh, of course, dogs talk… to ghosts. In Beehive, there’s a found corpse, a grouchy dog, but the corpse’s ghost doesn’t show up to have a conversation with the dog. Some odd things happen, you think, the dead girl’s coming back, just a few more pages… but no. I’m not saying it was a bad book, I was obviously engaged, I was simply surprised that it was really just a small town mystery. A solidly, sometimes beautifully written story about a thirty year-old small-town mystery.
At any rate, if you’re looking for an entertaining Sunday read, try Kissing the Beehive.2 comments
So, though it appears that I’m badly missing my five hundred words per day, I’m not. I’ve written a few things that I haven’t published here. I’m trying for print publication, so I’ve written a few things, submitted them here and there. I’ve already had one rejection, it won’t be my first, or my last. I expect rejection and hope for otherwise. That’s how it goes.
In other news… I’m so enjoying Maplecroft by Cherie Priest, it’s one of those “just one more page,” promised sixty times books. I just can’t put it down, it’s nothing I expected. I won’t say much more, I should be posting a review in a day or two. Still, if you like historical fiction that’s married to horror, Maplecroft is the book for you. Don’t wait for me, just buy it! I barely use exclamation points, that should say something about my veracity.
What else? I’m marathon-watching American Horror Story: Coven, again… I love the show, I just keep getting distracted. I want to experience the entire story, not a few episodes here and there over too much time apart. No, this time I will see the end, thirteen episodes by Saturday’s end. Personally, I’ve enjoyed every season. A tv show has never so deftly blended all the popular horror tropes, always keeping the blend unique. Though, what really sets the show apart from the general trash heap that is horror is the acting, Jessica Lange, Kathy Bates, Angela Bassett, award-winning actresses with top-notch supporting casts. American Horror Story is where horror should be, shows us how high the bar should rest.
I mean, let’s face it, we expect nothing from horror, literature, tv, movies, we expect waste. We expect shitty writing, or shitty acting, or shitty writing AND shitty acting. Oh, or we settle for, “That book/movie/tv series is so bad it’s good,” which is such cop-out. Little annoys me so much as low expectations. Horror can be brilliant. Writers like Michael Cisco, Caitlin R. Kiernan, Cherie Priest, Jeff VanderMeer, brilliant writers telling brilliant stories, horror stories that transcend genre and become macabre works of literary art. Films like Bug, Dawn of the Dead (2004), Interview With the Vampire, May, Seven, The Signal, they’re the transcendent brilliance that can and should be expected from movies. American Horror Story is the standard for tv series, but not the lone standard. We also have Hannibal, In the Flesh, Sleepy Hollow, The Walking Dead, each standing tall beside American Horror Story. I expect a lot from horror, with good cause, it does deliver, if you stop and look.3 comments
I’ve always loved timepieces, clocks, watches, they can be so beautiful. I enjoy them more as art than just a utilitarian way to measure time. I have this pocket-watch in my travel bag, I can’t physically use the thing myself, but I love watching other people use it. I really just love knowing it’s with me, I’ve had it over ten years. Pocket-watches aren’t exactly “in,” but I’ll take elegant over “in” any day. Smart watches are in, but I wouldn’t take to carrying one, even if I was paid to carry it. Sure, they’re all running shoddy operating systems, that’s awful enough, but even worse, they’re flat out ugly. There’s no sophistication, no sense of style. They’re too clunky for fitness-wear, or too gaudy to be worn by a used-car salesmen, let alone a high-end executive. Smart watches aren’t smart, and are hardly passable as watches. At least, such was the case before today.
Today saw the announcement and impending release of the Apple Watch, and it’s spectacular. No, I’m not some Apple snob, but I’m absolutely a watch snob. If Apple happened to give us a hideous, stupid smart watch, I’d totally say so. The Apple Watch is gorgeous, and it’s running on iOS 8, the world’s most advanced mobile operating system. I’m excited, I want one in my bag.2 comments
Acceptance brings back the intensely ominous feeling introduced in Annihilation, the series’ first book, but on a much grander scale. Much of the story takes place in flashbacks, we’re taken back to the events that took place before Annihilation, to everything that led up to the disastrous Twelfth Expedition into Area X and the subsequent shifting within the Southern Reach. We also go back to a little place called the Forgotten Coast, a place where misfits, outcasts gathered to make a home. A quaint costal village complete with a lighthouse and its gruff, but kind keeper. A rustic place, but a good place, a nice place to live until something turned it into a nightmare, a biological disaster; Area X. In this final book, by way of glimpses into life on the Forgotten Coast, we see the horrific creation of Area X.
Acceptance begins with the death of a character, a death that occurs toward the end of Annihilation. We learn about her life through flashbacks, yet we also know that she is damned. We know that the Forgotten Coast is damned, that the people we learn about, grow to care about, will be lost. The horror of the book, and really, the trilogy as a whole, is witnessing this slow fall and knowing that no matter what, it won’t be stopped. Though, we get to see points at which maybe if different decisions were made, Area X might not have been made. Knowing that so much loss wasn’t inevitable, that it could have possibly been avoided, makes the loss that much more painful. We keep reading because we want to know the whats and the whys that birthed Area X, but also, there’s still the right now, the world after the creation of Area X. That part of the story is completely uncertain, it’s ultimately why I kept turning pages until a late night became an early morning. I wanted to know if our world would survive, or if Area X would envelope everything. I know, but I won’t say. I don’t want to say more, I don’t want to make reading Acceptance pointless while trying to convey why it’s so spectacular.
The Southern Reach Trilogy is a masterpiece, it is brilliantly conceived and written. Acceptance is what seals the deal, it’s a truly remarkable end to a beautiful, sad, scary as all Hell work of fiction.2 comments