Archive for the 'Tattoos' Category
Tattoo #46
This tattoo comes from The Engine Driver by The Decemberists, with an Aimee Mann twist. Aimee covered this song with The Decemberists in concert, I decided to have her wording etched into my chest.
The song itself is simply beautiful, a lush, sweeping narrative about love that might not love you back… Why did I get it? Well, there’s a “long one” in my life, I don’t question if I’d work beside her, I know it with everything in me. That night, a few before last Christmas, I wondered … if she’d ever just stop and let me.
Tattoo #45
So, my 600th post is about my 45th, and most recent, tattoo.
These lyrics are from what’s quite possibly my favorite Elliott Smith song, the not-so-known, Some Song. It’s part of a little three track collection, the Needle in the Hay – EP. The first thing that draws me to the song is that it’s written almost entirely in the second-person. If done right, second-person writing is so powerful, it pulls people into the narrative with such intensity. To me, it’s so underrated and under-used, in music and literature. It’s really difficult to pull off, but I think the pay-off is worth trying. The song itself sounds like it’s straight autobiography, Elliott laying out how he saw himself. It’s a very odd mix, he knew he had talent, that he could be who he wanted to be, yet he hated the songs he wrote, hated himself, and he knew he was broken and couldn’t get it together. I understand that odd juxtaposition of feelings toward oneself.
I know I write well, I have skill and my stuff resonates with some people. I know I have a lot of potential to write and do great things, the potential to be the fellow I see in my head. I also hate almost everything I create. I feel like a fuck up, piece of shit failure. I’m just about thirty and I haven’t really accomplished anything important, I’ve screwed stuff up. I’ve wasted chances, ruined things. I’ve made so many bad choices lately. I can’t seem to hold it together enough to be who I want to be. Maybe I’m stuck the way Elliott was stuck. I don’t know.
Tattoo #44
This tattoo I got in Savannah, GA, the night before my brother’s wedding. Everybody else is off drinking and watching football, I’m getting a tattoo. That really says a lot, I think. At any rate, if you’re ever in Savannah and find that you’re in need of a tattoo, Stranded Tattoo Studios is the place to go. James, the fellow who did my tattoo, was spectacular, and I’ll just go ahead and say it, is probably the best damn tattoo artist in the entire state of Georgia.
As for the tattoo itself, the whats and the whys.. The lyrics are from an Alanis Morissette song, Hand in My Pocket, which is off her North American debut record, Jagged Little Pill. That’s the whats, as for the whys, they’re mine on this one.
(Again, the grammatical error in the tattoo was done to match the way the lyrics are written on Alanis.com.)
Tattoo #43
So, this tattoo is from one of my favorite Nirvana songs, Blew, which is on their first record, Bleach. Nirvana songs don’t necessarily tell a story that goes, and then, and then, and then. Nirvana songs are often a mix of lines that mean something and lines that mean absolutely nothing, so it’s a matter of picking out the important lines and figuring out what they mean as a whole. That’s one reason I love Nirvana so much, every song is sort of a puzzle to solve.
To me, Blew is about being stuck, feeling intensely frustrated, and wanting it to stop. I’ve felt that way for so long… One night a few months ago, I felt like making those feelings something external, marking them as part of the story of me.
Tattoo #42
So, this tattoo… The lyrics are from an Aimee Mann song, King of the Jailhouse, which is off her record, my second favorite, The Forgotten Arm. If you listen to the record in order, the songs tell a story about this alcoholic, washed up former boxer, and his girlfriend, and the arc of their relationship from beginning to end. Few albums are perfect, there are always a few songs that are just “meh,” but I think The Forgotten Arm is as close to perfect as an album gets.
As for the tattoo, well, I’ll just say that if I’m stressed enough, and lonely enough, I’m guaranteed to do something stupid. I’ll do the worst, dumbest thing possible, and I don’t know how to fix that about myself.
Tattoo #41
So, I got this tattoo some months back, while I was in Cincinnati. I got it my first few hours in town, we arrived and by nightfall I was having these lyrics etched into my leg. The lines are from an Alanis Morissette song, Flinch, off her record, Under Rug Swept. The song is really a story, six minutes of flash writing about this connection between two people, this consuming, unrelenting connection. These two lines, they’re my favorite, I’ve thought similar thoughts so many times.
These lines always remind me of someone, this person who’s always with me, even when she’s not. I was thinking about her that dusk in Cincinnati, thinking about how she has this deep affect on me. It’s like she has a key to everything in me, and I couldn’t change the locks even if I wanted to. The affect is beyond reason, and even when it hurts I cannot make it stop. It’s so like the way breathing affects me, the way a lack of air feels miserable, terrifying, and there’s not a Goddamn fuckin’ thing I can do to quell that lack, or change the way it makes me feel. I missed her so much when I woke up that morning, I missed her before I even left Tampa, and it hit me, it really hit me when Flinch popped up on my iPod just as we crossed that line into Cincinnati, it hit me that this one person means everything to me, that no one else holds so much sway to render me so completely happy, and so perfectly lost and melancholy. It amazes me how lyrics can pull so much out of a person, like some sort of magic spell that make the world clear as a pane of glass.
That’s all I care to say about tattoo #41.
(Oh, the grammatical error in the tattoo was done to match the way the lyrics are written on Alanis.com.)
Tattoo #40
So, there’s this Elliott Smith song, Placeholder, off his second posthumously released album, New Moon. To me, the song is basically Elliott saying that his work, all the stuff he writes, it’s all just temporary. He’s just a placeholder until something else comes along. Though, he’s talking about himself as a person too, he’s just a placeholder for the people in his life.
I’ve thought about myself the same way many times, the song can remind me so much of me. So, when I was really very dark a few months ago, this tattoo felt very appropriate.
I don’t get the sad tattoos and regret them later. They’re not constant reminders of darkness, but rather, they show me the entire road I had to take to feel something good again. It’s odd, but it’s really kind of spectacular to look back on this lonely place and that empty place from someplace beautiful, seeing times that I could have broken, but didn’t. Then again, they could all add up to failure at the end of everything, but I won’t really know until I got there.
Tattoo #39: The end of Tattoo Crisis 2010
So, this is how I ended Tattoo Crisis 2010, this is how I fixed what was quite possibly the stupidest typo of all time. This is the finished version of my thirty-ninth tattoo. I mostly think of this tattoo as a reminder to think things out before I go and do something dumb. I was really pretty down when I got the idea for it, thinking about how people who seemed so important to each other end up apart, never talking to each other again. Like I said, I was really pretty down.
Tattoo Crisis 2010
So, I keep tweeting about Tattoo Crisis 2010, which in turn ends up on my Facebook page, and since I haven’t explained Tattoo Crisis 2010, a lot of people are confused.
Two Thursdays ago I decided I wanted my thirty-ninth tattoo. I have this list in my head of the tattoos I want, and I just knock them out whenever I feel like it. Things usually go absolutely fine, thirty-eight times everything went fine. This time, though, this time I did something astonishingly stupid. There’s this PJ Harvey song, The Devil, the last three lines of the song are beautiful, and I’ve wanted them as a tattoo for awhile. So, before I went out I listened to the song a bunch, and I looked up the lyrics at Metrolyrics.com, just to make sure I didn’t mis-hear anything. I always check, but this particular evening I only bothered to check the one site. I was all, “Yep, that looks the way I hear it, let’s go!” I didn’t check other sites, and in another BRILLIANT move I didn’t check PJ Harvey’s site, not until the next day anyway. Apparently, I fucked up a word, “finally” should read “formerly,” which is really more perfect than I thought. I was stupid, thoughtless, needlessly impulsive. This is hands down one of the dumbest things I’ve done in a very long time.
So, I can’t just leave it, I can’t have a typo on my chest for the rest of my life. I’m going to fix it, it’s not going to be the most elegant fix, but the mess of it will be a constant reminder to slow down sometimes, to think before I do. I’ll post again when things read as they should.
I know, I’m an idiot.
Tattoo #38
So, I’ve been admittedly kind of lost for awhile. Just look at my general lack of writing, I clearly don’t know what the fuck I’m doing much of the time. A year ago, the road felt so much clearer. I wanted this, and this, and this, and then I’d be happy. It’s difficult when you have this plan, this map of your life, and that plan doesn’t work, and that map catches fire, and you pour vodka on it trying to put out the blaze. You end up lost because you only had one answer to the question, “Well, what would make you happy?”
This all sort of hit me one day when my favorite Indigo Girls song, Closer to Fine, came up in my shuffle. Life doesn’t have just one answer for every question, and the sooner you figure that out, the sooner you open yourself up to everything if something else isn’t working, the closer you are to fine. Hence my thirty-eighth tattoo.









