My Whole Expanse I Cannot See…

So, I’ve done a pretty sorry job of explaining some of my more recent tattoos, which really goes against everything I’ve meant to do here.

I’ll re-visit the ones that need it.

Tattoo by Fish, Doc Dog's Las Vegas Tattoo, Ybor City

Tattoo by John, Doc Dog's Las Vegas Tattoo, Ybor City

I really don’t give a shit about explaining these, it doesn’t matter. I just want to post them with the rest before I go away.

Tattoo by Fish, Doc Dog's Las Vegas Tattoo, Ybor City

So, this is my fifty-sixth tattoo, I’m honestly running out of space. I mean, I could put little images all over me, but as far as full lines of text go, we’re getting toward the home stretch, I think.

This tattoo is from a Nirvana song, an early demo version of one of their most famous songs, Heart-Shaped Box. The demo’s off their With the Lights Out collection. I really like this version a lot, you can tell Kurt has the idea in his head, a song about an intense, crushing relationship with a woman, he has the sound figured out too, but he’s still sorting out the words and the imagery. I really like feeling like I’m sitting in on that creative process. He uses lots of funeral imagery, I’ve been buried in your heart-shaped box for weeks…Then the last line, the line etched into my upper-arm, I’ve been locked in heart-shaped coffins for too many weeks…

Now’s supposed to come the why of it, some sweeping narrative that would explain me. Honestly, I’m just tired. I experience those words every Goddamn fuckin’ day.

Tattoo by Fish, Las Vegas Tattoo, Ybor City

So, this tattoo is from Aimee Mann’s highly acclaimed song, Wise Up, off the soundtrack for the film, Magnolia. I already wrote about Magnolia and Wise Up a few weeks ago, so I’m not going to do it in any great detail again here. Oh, don’t confuse the poppy as being part of this tattoo, it isn’t. Anyways, Wise Up is just a really beautiful song, the gist of which is life will continue to feel bad until you do something to make it feel good.

Right now, I just want to be next to someone, to hold her close, tell her how I love her so completely, ceaselessly. I’d sleep. It’s easy to sleep when I don’t feel like part of me is somewhere else. It’s easy to sleep knowing that when I wake up, I’ll see her exquisitely beautiful face. Her eyes would be all drowsy, but silently say that she loves me. She’d ask me if I slept any, she’d tell me about her crazy dreams. I haven’t been there in so long, but that’s how it was. I could wake up next to her every morning until I quit breathing, the permanent quit, every morning I’d feel blessed. She’s the only person who lights this empty place in my heart, it’s like a million little twinkly white Christmas lights strung all over a huge ferris-wheel. That’s how she makes me feel inside, bright and happy, like there’s adventure all around.

I want life to feel good, like I absolutely know it can, entirely. I mean, as dark as I get, it’s not because I believe life is just one concatenation of misery until you’re dead. I don’t think that at all. Life is something gorgeous, there’s been so much beauty and adventure in mine, so I know for a fact that life can be all puppies and flowers. There’s just this hole in me, this giant abandoned fairground that’s shrouded in sadness, loneliness. I’ve done some stupid, awful things trying to fill that place with light again, which only served to make that place darker, and lonelier. I need to wise up, that’s the point. Stop doing things that make me more empty, stop digging myself nice, deep holes. Don’t die this way.

I miss my light, more than I can explain.

Tattoo by John, Las Vegas Tattoo, Ybor City

So, this is from a Nirvana song, Blandest (Demo), which is off their With the Lights Out collection. I wonder how many songs from With the Lights Out would have been polished and put on studio records and become part of the broad lexicon of pop-culture rather than be these really obscure treasures that pretty much only Nirvana fans ever find. What if what if what if.

Anyway, you all puzzle out what if means and why it’s etched into my chest forever, my forever, at least. Leave comments, try to guess, whatever.

Tattoo by Fish, Doc Dog's Las Vegas Tattoo, Ybor City

So, this tattoo, #51, is from an Alanis Morissette song, These R the Thoughts, which is off her MTV Unplugged record. MTV Unplugged is tied with Supposed Former Infatuation Junkie (SFIJ) as my favorite Alanis record. MTV Unplugged is so great because Alanis’ voice is gorgeous and being outside the typical studio setting you really get to hear that voice. I’ve seen her in concert too, she just has a spectacular, raw, beautiful voice. MTV Unplugged shows her voice, and it has a few of my favorite songs off of SFIJ, which is why I love it so much. These R the Thoughts is only on MTV Unplugged and no other studio record. The song’s basically a series of worries, questions she asks herself throughout a day. The song doesn’t have any hooky chorus, it’s just a series of questions… Why do I feel cellularly alone? Am I supposed to live in this crazy city? Can blindly continued fear-induced regurgitated life-denying tradition be overcome? It’s so not a hooky pop song, or rock song, it’s a journal set to great music. My favorite section, part of which is etched into my arm, Why do I fear that the quieter I am, the less you will listen? Why do I care whether you like me or not? Why is it so hard for me to be angry? Why is it such work to stay conscious and so easy to get stuck and not the other way around? Both of those sections, the latter, obviously, sound so much like the questions I ask myself, the worries in my head.

In a larger sense, sure, I do worry that if I quit writing here, quit trying to get published in print, quit writing altogether, I’d just disappear. Nobody would care, or come looking for me, or even idly wonder, “Whatever happened to that guy, he wrote about zombies and sex, and loneliness and suicide and addiction and dark optimism and some girl? I think it was some girl. He had all those tattoos… What was his name? Michael something?” I think most writers, even the ones who get seriously paid, write because we love the craft and want to be remembered for what we did with it. We write to be known. I don’t think Jeff VanderMeer or K.J. Bishop or Michael Cisco would quit writing if the paychecks stopped. We have words in our blood and we cut ourselves so that all those words come pouring out, and we want people to watch. It’s a little bizarre, but we want people to watch. The words can’t just stay inside, the words flow thorough our veins and bounce around in our heads, we’re full up, so we have to get those words out and put them somewhere else. Yes, I do worry about getting quiet and fading into oblivion.

Really though, it’s much deeper than that, it’s less about a writer’s want and more about something personal. In the song, Alanis is talking about just one person. I only worry about one person not listening, not wanting to know me. The day we met we talked for three hours, I so wanted to know her, and I so wanted her to know me. I was scared that night, that first night, that there wouldn’t be a second. It’s something out of Shakespeare, something only story-tellers tell, but I loved her that night. It was just one long IM, but as ridiculous as it sounds, I loved her. She sent her picture and I only fell harder, I just left the picture open all night. I didn’t want her to be just a dream, it felt like a dream. No one’s eyes could be that beautiful, showing that much intelligence and warmth. We went to our first movie together, those eyes saw mine, I got lost in them. That was just about four years ago and I still get completely lost in her eyes, I just keep loving her more. Every-day I love her more. My words, they’re all hers, they’re all so that she can know everything that’s in my head. Lots of them are here, some of them ended up in print on Amazon.com. There are pages upon pages that no one, save her, will ever see, they’re hers, written for her eyes and no one else’s. Most of the words etched into my skin are hers. It’s all just so she can know me, and be close to me. How can you really be close to someone if you don’t give them everything in your head, beautiful words, dark words, scared words, every word? I love her more than I can explain, but I try, I so try, in flash fiction, in e-mail that’s written after bad dreams, in romantic paper letters. She asked, “Why do you love me and not someone else? There are thousands of women, thousands of mes.”  I didn’t have an answer all in a pretty wrapped box with a teal silk bow on top, the question just scared me. I’ve written a mixed media novel in answer to that question, digitally, in print, on my skin. I didn’t say the right thing, I got frustrated, it just felt like something you say before you disappear. How could she ask that and not know my head, and my heart? I got upset, overly so. Though, the simple honest answer is that when I’m with her, I never want to be anywhere else, with anyone else. When I’m not with her, it’s like part of me is missing, so I’m never completely anywhere since we met.

I got the tattoo when she felt far away, I felt like nothing I said meant anything. So, I got quiet, and I got scared. Now I’m here and she’s somewhere else. I’m lost and drowning in words she doesn’t want anymore, not from me.

Tattoo by Fish, Doc Dog's Las Vegas Tattoo, Ybor City

I got this one, number fifty, a few nights ago. It’s a line from one of my favorite Tori Amos songs, Blood Roses.

I know why I got it, and maybe someone else knows, and that’s really enough.

Generally, I explain them, in great detail, but a few of my tattoos don’t belong to everyone,

Tattoo by Fish, Doc Dog's Las Vegas Tattoo, Ybor City

This is my first foot tattoo, it’s from one of my favorite Elliott Smith songs, Angel in the Snow, off his posthumously released collection, New Moon.

I’d say you make a perfect

Angel in the snow

All crushed out on the way you are

Better stop before it goes too far

Don’t you know that I love you?

Sometimes i feel like only a cold still life

That fell down here to lay beside you

Don’t you know that i love you?

Sometimes I feel like only a cold still life

Only a frozen still life

That fell down here to lay beside you

It’s such a beautiful little song, and sad. Falling so hard, feeding so… apart.

Tattoo by Colt, Doc Dog's Las Vegas Tattoo, Ybor City

I got this on my birthday, it’s from Elliott Smith’s song, Pretty (Ugly Before), which is off his sixth record, From a Basement on the Hill.

It’s supposed to remind me not to push someone I love away, just to make sure I’m really wanted, really loved.

Supposed to.

Tattoo by Colt, Doc Dog's Las Vegas Tattoo, Ybor City

This one, it’s… for me.